Stranger than Fiction with Will Ferrell
Almost True to Life
Some neighbors just buried their tragically-disabled daughter after tending for her hand and foot her entire abbreviated life.
Friends care for their non-ambulatory, non-speaking (but precocious) five-year-old who was severely burned in an accident.
These are the kinds of real-life sacrifices that people make for people they love or care about. And self-sacrifice is the theme of the quirky and original movie Stranger Than Fiction.
The movie concerns Harold Crick (Will Ferrell)… a gray IRS agent living a paper thin slice of life… who begins to hear in his head a narration of his life’s events.
The effect, of course, is very disconcerting for Crick, especially after the narrator (Emma Thompson) says as Harold waits for the bus, “little did he know that this seemingly innocuous act would result in his imminent death.”
Friends care for their non-ambulatory, non-speaking (but precocious) five-year-old who was severely burned in an accident.
These are the kinds of real-life sacrifices that people make for people they love or care about. And self-sacrifice is the theme of the quirky and original movie Stranger Than Fiction.
The movie concerns Harold Crick (Will Ferrell)… a gray IRS agent living a paper thin slice of life… who begins to hear in his head a narration of his life’s events.
The effect, of course, is very disconcerting for Crick, especially after the narrator (Emma Thompson) says as Harold waits for the bus, “little did he know that this seemingly innocuous act would result in his imminent death.”
Crick goes to see a shrink (the woefully-underused Linda Hunt) who tells him that he’s schizophrenic and recommends a drug regimen.
But what if I really am hearing a narration, he asks, what would you suggest? She tells him to go see a literary specialist (Dustin Hoffman). Together they compile a list of likely authors. With imminent death hanging over him like a cloud, Crick’s life begins to take on some color as he rounds out his life, especially on the romantic front.
If this doesn’t sound like much of a movie, you’re right. Up until the last 10 minutes or so of the movie the depiction of Crick’s life seems so gray and ordinary you wonder if anything the filmmakers can do can possibly pay off.
The answer is yes. The climax is wonderfully moving and affecting. I’m going to own this movie.
Ferrell, believe it or not, brings nuance to the role. And the co-stars, which include Maggie Gyllenhaal (as Crick’s love interest) and Queen Latifah (as Thompson’s long-suffering assistant) are all quite good, Thompson especially so.
My only complaint is philosophical. The fact is, people make extraordinary daily sacrifices for others as a matter of course in the everyday lives. Everyone of us knows people like the ones I described above. Their sacrifice is so common it seems mundane. Crick’s act of sacrifice is spectacular, but momentary. But how would you depict people like my neighbors caring for their disabled child over a lifetime, whose devotion is so complete it seems ‘stranger than fiction’?
It may be impossible to make that movie. But I want desperately to one day see that harder, sadder, more meaningful, real, and joyful movie.
Stranger Than Fiction is rated PG-13 for some disturbing images, sexuality, brief language and nudity.
DMR grades Stranger than Fiction as a B.
The Dollar Movie Review Grading System: The Dollar Movie Review grades on a curve. Movies that make choices to be course or vulgar are downgraded a full to a half grade or more. Likewise, movies that don’t gross out or offend too much can be upgraded as a ‘thanks for trying’ attaboy. Stranger Than Fiction was downgraded a full grade because of all the elements that made it PG-13. Minus those elements I would have graded it as an A.
But what if I really am hearing a narration, he asks, what would you suggest? She tells him to go see a literary specialist (Dustin Hoffman). Together they compile a list of likely authors. With imminent death hanging over him like a cloud, Crick’s life begins to take on some color as he rounds out his life, especially on the romantic front.
If this doesn’t sound like much of a movie, you’re right. Up until the last 10 minutes or so of the movie the depiction of Crick’s life seems so gray and ordinary you wonder if anything the filmmakers can do can possibly pay off.
The answer is yes. The climax is wonderfully moving and affecting. I’m going to own this movie.
Ferrell, believe it or not, brings nuance to the role. And the co-stars, which include Maggie Gyllenhaal (as Crick’s love interest) and Queen Latifah (as Thompson’s long-suffering assistant) are all quite good, Thompson especially so.
My only complaint is philosophical. The fact is, people make extraordinary daily sacrifices for others as a matter of course in the everyday lives. Everyone of us knows people like the ones I described above. Their sacrifice is so common it seems mundane. Crick’s act of sacrifice is spectacular, but momentary. But how would you depict people like my neighbors caring for their disabled child over a lifetime, whose devotion is so complete it seems ‘stranger than fiction’?
It may be impossible to make that movie. But I want desperately to one day see that harder, sadder, more meaningful, real, and joyful movie.
Stranger Than Fiction is rated PG-13 for some disturbing images, sexuality, brief language and nudity.
DMR grades Stranger than Fiction as a B.
The Dollar Movie Review Grading System: The Dollar Movie Review grades on a curve. Movies that make choices to be course or vulgar are downgraded a full to a half grade or more. Likewise, movies that don’t gross out or offend too much can be upgraded as a ‘thanks for trying’ attaboy. Stranger Than Fiction was downgraded a full grade because of all the elements that made it PG-13. Minus those elements I would have graded it as an A.
